Freedom and method can go together in illustration

Tapping into his creative side since childhood gave Marco Furtado courage to explore possibilities.

I used to dream about working in tech and living abroad – and it all came true

Discover the journey of Suellen Mendes, who transformed study hours into professional achievement in a new country.

I want to welcome our players the same way Wildlife has welcomed me

Associate Community Manager Marco Cremona tells us how his dream of working with a gaming company came true.

My 100 Days at Wildlife: I'm learning about trust and human processes

Pre-Production Supervisor in Marketing Art, Isabella Augusto, talks about the importance of teamwork to achieve excellent results.

My 100 days at Wildlife: Freedom to create and unlimited potential

Senior Playables Artist Pedro Estaiano Junior writes about the challenges of making Wildlife a global benchmark in creating playable 3D advertising.

Animation is essential for the player's immersion in our games

Jason Tadeu, 3D Animator at Wildlife, believes that animation enriches the narrative of the games.

Working with games means being a player with a critical eye

Alexander Roque, Game Designer at Wildlife, believes that mobile games need to be simple, but deep at the same time.

My 100 days at Wildlife: I found a place that shares my passion for data

Data Engineer Lariel Castilhos writes about working at Wildlife for a bit more than three months – and why this is such an important period for newcomers.

Baboo Matsusaki: "I want to be a reference for women in my area"

She wants to create a safe and creative workplace for her team. Meet Baboo Matsusaki, Motion Graphics Supervisor and founder of Studio Ni and Daemon Films.